Wanted to post some prints from the book "Flowers of Palestine" for everyone to see, which were a collection from the 19th century book "Wild flowers of Palestine". Here is also a great article on the indigenous flowers/plants in Palestine. I am intrigued by places, spaces, and time. Most of all, human interaction...
"Palestinian flowers reflect the country itself: its ancientness/antiquity, its gentleness...."
UNM Art Studio 389 / 429 / 529. This course provides a context in which students can build on the collective knowledge and experience being developed within the university and local communities and to combine the pragmatic, ecological, and social dimensions of creating urban food gardens with artistic invention and critical, expansive thinking. This blog is a space for posting thoughts, ideas, references, resources, and works.
Thursday, July 11, 2013
Wednesday, July 10, 2013
Way finding, multimodal, and local gardens
| Map of current community gardens in Albuquerque with walking and biking radii and bus routes noted. |
The trend for the last 60 years in the US has been for us to rely more and more on the automobile. The car has made it possible for cities to become less dense and spread out to the fringes. This has created large neighborhoods that are not close nit or self-sufficient. People don’t shop at their small local grocery anymore where they can run into their neighbor. Now we all get in our cars and drive. We drive to the huge big box store with faceless workers and customers. And where is that food coming from? Do we care? With our dependence on the dwindling supply of resources we really should care. It’s hard to believe that these major issues could be solved very easily and maybe that’s true but there are things that can be done to help us turn back time in a sense to a time when we weren’t as dependant on imports. What if our need for gasoline was reduced? What if we could give jobs to our local economy? What if traveling around our neighborhoods was easy, cleaner, and less stressful. There are so many ways that the way we choose to travel and the produce we chose to purchase are related. Can community gardens exist in most neighborhoods? How would this effect pollution due to shipping of produce to our grocery stores? How would it affect the local economy? Would the public become more aware of what is seasonally appropriate? Wouldn’t it be amazing if everyone in a city could be within 5 miles of a local production garden? The benefits would be profound. People would get to know their neighbors again, get their hands dirty, and become more connected with their food. I would like to propose a way for the public to locate these gardens and access them through multiple transportation sources. This would be a 3-part objective. Traffic signs would be installed to direct exiting points and turns to the gardens. On street directives would target the cyclists, and tall poles with embedded information would speak to the pedestrian. All of these installments would be within a reasonable traveling distance for the corresponding travel mode. The walking distance would be set at ¼ of a mile, cyclist prompts would be within 5 miles and the traffic signs would reach to 10 miles. These installments have the potential to be used all over the US and around the world. Although the physical manifestation of the way finding material would be universal, the information attached to would be extremely site specific.
| Prototypes for garden signage |
| Signs and stencils |
| Prototype signage at Nob Hill Grower's Market |
Invitation to Infinity
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| Click image to open video, or goto: http://vimeo.com/69775023 |
So much of life seems
linear. We are taught to think in a spectrum that has start and end points.
Something is created and follows a path until that something must end or run
out. Consequently, it is simple to measure the rise and fall of multiple topics
pertaining to this matter. Just put them on a graph with the X and Y axis and
see a very two-dimensional way of existing. When it becomes easy to perceive
things as finite, the process of thinking cyclically disintegrates. But we must
not lose this.
Because if we lose
this, the reassurance that the mystical concept of infinity becomes smaller and
harder to understand. In a time like the present, if we lose that belief that
everything moves in a three dimensional pattern of harmony, we lose any hope
for a sustainable future. Our existence will become finite.
Consider this an
invitation. An opportunity to challenge yourself to think outside of the
gridlines and beyond the terminable pathway. If this can be achieved, suddenly
one starts to understand that the pattern that the sun follows is no different
than the growth and decomposition of a tree. Suddenly it becomes clear that
humans follow a similar pathway throughout years of history. We grow, we
decline, we rise and fall and repeat ourselves. Whether it be on a daily basis
or measurable throughout centuries. Charles Eisenstein believes that the only
way to break our fallible want to measure things two-dimensionally is to consider
this to be a time where we are being born into a new paradigm. “The present
convergence of crises––in money, energy, education, health, water, soil,
climate, politics, the environment, and more––is a birth crisis, expelling us from
the old world into a new.” Sacred Economics: Money, Gift, and Society in the
Age of Transition.
And is this is
understood, we can all act as components of change. We can provoke a movement
towards creating a better world, like many people have done in the past. By
supporting this new way of thinking, more of us will understand we do have a
say in how we perceive and conserve the natural world. We do have control in
deciding how we are going to relate to it and protect it. This is an invitation
to regain that mystical concept of infinity, of seeing things in 3D and doing
what seems impossible. And is with this kind of faith in a cause and direction,
that we will move towards a world without endpoints, where anything is
possible.
Saturday, July 6, 2013
The Infinity Garden
When entering into this Art and Ecology summer course, I was infatuated with this concept that seems to be present in so many aspects of life. The infinity symbol is used in math to represent a pattern of a never ending sequence of numbers. It is also the shape that is made if the sun is measured every single day for a year in a particular place. It seems so interesting because of the initial habit for use to think that things are cyclical. I became enamored by the idea that things do not function in a line or a circle, but rather in the same pattern as infinity.
How I decided to relate this to ecology was to create this symbol on a vacant lot in the University neighborhood. Using the site where one of the oldest houses in Albuquerque once stood, some dedicated friends of mine and I constructed a rock sculpture in the shape of infinity. Being about 40 feet long and 15 feet wide, this is relatively hard to miss on a pleasant stroll down the street. I also chose to build here because of a guerilla movement that was already in action. People had created a "seed shrine" near a tree on the corner of the lot. More and more people began to contribute to this shrine and I thought, what a great idea if we could plant those seeds and create a community space.
So far we have had three work days and I have recruited about seventeen people to help when they have the time. Although the ground is arid and nearly concrete, we are determined to rebuild the soil and plant sun-resistent crops like corn and sunflowers. The dream is alive and we can't wait to keep working. I've created a facebook page where I will post updates on the progress and hopefully attract more followers. It was a great experiene for me to put this concept of infinity into something tangible, yet still holding on to the mystical idea that things continue forever in a peculiar, yet undeniable, cycle.
Check out this video about the Infinity Garden on Vimeo: https://vimeo.com/69775023
Also, if you're interested, follow the facebook page: https://www.facebook.com/pages/Infinity-Garden/145422755652609
How I decided to relate this to ecology was to create this symbol on a vacant lot in the University neighborhood. Using the site where one of the oldest houses in Albuquerque once stood, some dedicated friends of mine and I constructed a rock sculpture in the shape of infinity. Being about 40 feet long and 15 feet wide, this is relatively hard to miss on a pleasant stroll down the street. I also chose to build here because of a guerilla movement that was already in action. People had created a "seed shrine" near a tree on the corner of the lot. More and more people began to contribute to this shrine and I thought, what a great idea if we could plant those seeds and create a community space.
So far we have had three work days and I have recruited about seventeen people to help when they have the time. Although the ground is arid and nearly concrete, we are determined to rebuild the soil and plant sun-resistent crops like corn and sunflowers. The dream is alive and we can't wait to keep working. I've created a facebook page where I will post updates on the progress and hopefully attract more followers. It was a great experiene for me to put this concept of infinity into something tangible, yet still holding on to the mystical idea that things continue forever in a peculiar, yet undeniable, cycle.
Check out this video about the Infinity Garden on Vimeo: https://vimeo.com/69775023
Also, if you're interested, follow the facebook page: https://www.facebook.com/pages/Infinity-Garden/145422755652609
Monday, July 1, 2013
Wrapping Up
As part of the open-sourced approach
that I’m taking with the Garden Toolbox, here are some schematics I used when
making the papercrete mold, as well as the slightly modified version for the
wooden box. Over the week I would like to make a printable paper model where
you can cut on the dotted lines and have your very own mini paper Toolbox! I’ll
post that up as soon as it’s done.
(Click images for a larger size, it's way better)
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| Outer and Inner molds used for the Papercrete |
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| Outer mold perspective |
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| Measurements for the wooden version (still under way!) |
Also,
I wanted to thank you all so much for making this class so enjoyable and
inspiring! So often, I get into the dusty parts of issues like local food vs.
industrial food, global climate change, and sustainability and get so dried out
and un-inspired. But from an art-expression perspective, I’ve rediscovered that
drive, the intrigue, the myth, the wonder that keeps us going. Each one of your
projects sparked this wonder in me, and really motivated me to continue with
renewed enthusiasm.
I’m looking forward to seeing you all again, and inviting
you to join in the Toolbox community when it goes online (hopefully soon!).
Cheers all,
Keenan
Global articles can impact Albuquerque
Here are some good and quick articles about designs being installed and issues going on around the world related to plants, sustainability, land use, art installations, public infrastructure, ect.
Click here
Sunday, June 30, 2013
PALESTOPIA
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| 2013. Qalandia Checkpoint/Apartheid Wall, Palestine. Iktemal Jaber. |
Fugitives of the land--
A birthing seed frees the oppressed heart, making plants the ultimate healing medicine to the human mind. A flower is proof of our existence—of water, of air, of sunshine and of land. Like a refugee, it sails upon whirlwinds and returns back to its native sands. Beautifully resilient it stands and caresses the land, knocking through the stones and the walls holding its roots down. Land filled with milk and honey, exiled and deserted like quick sand. A starling orchestra of flowers interrupts the dopey autocrat, with the pulse of the olive seed prevailing, rebirthing, and breaking through. The children of the land, speckled like seeds swimming through the rivers, they are created whole, endowed with innate intelligence, with dignity and wonder, worthy of respect. Children are original blessings, here to learn their own songs of purpose like flowers reaching beyond walls. They are entitled to love, to dream and belong to a loving village as their home. Where the land holds on to their smiles like a prisoner holds on to freedom. As a confused lover searching every petal for an answer, seeds become our prayer beads. We emerge and transform from their absence, only to dance under the Canaanite moon with the tulips, and the pheasant’s eyes of Palestine.
Praying and awaiting for the right of return.
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| 2013 Palestopia Iktemal Jaber |
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